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Rana Abdel-Samad, Gender theory and it’s features in Terence’s Theatre through the analysis of the male characters in the comedy of Eunuchus, pp. 609-647.

Document Type : Original Article

10.21608/acl.2019.89666

Classical Papers
Volume 16, أعمال مؤتمر "الملحمة عن الإغریق والرومان وتأثیرها فى الآداب الأخرى" - Serial Number 16
2019
Pages 1-39
مشاهدة على SCiNiTO مشاهدة على SCiNiTO

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APA

(2019). Rana Abdel-Samad, Gender theory and it’s features in Terence’s Theatre through the analysis of the male characters in the comedy of Eunuchus, pp. 609-647.. Classical Papers, 16(أعمال مؤتمر "الملحمة عن الإغریق والرومان وتأثیرها فى الآداب الأخرى"), 1-39. doi: 10.21608/acl.2019.89666

MLA

. "Rana Abdel-Samad, Gender theory and it’s features in Terence’s Theatre through the analysis of the male characters in the comedy of Eunuchus, pp. 609-647.", Classical Papers, 16, أعمال مؤتمر "الملحمة عن الإغریق والرومان وتأثیرها فى الآداب الأخرى", 2019, 1-39. doi: 10.21608/acl.2019.89666

HARVARD

(2019). 'Rana Abdel-Samad, Gender theory and it’s features in Terence’s Theatre through the analysis of the male characters in the comedy of Eunuchus, pp. 609-647.', Classical Papers, 16(أعمال مؤتمر "الملحمة عن الإغریق والرومان وتأثیرها فى الآداب الأخرى"), pp. 1-39. doi: 10.21608/acl.2019.89666

VANCOUVER

Rana Abdel-Samad, Gender theory and it’s features in Terence’s Theatre through the analysis of the male characters in the comedy of Eunuchus, pp. 609-647.. Classical Papers, 2019; 16(أعمال مؤتمر "الملحمة عن الإغریق والرومان وتأثیرها فى الآداب الأخرى"): 1-39. doi: 10.21608/acl.2019.89666

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