Classical Papers - Articles List

Volume & Issue: Volume 11, أعمال مؤتمر الدراما والدیمقراطیة - Serial Number 11, 2012

Magda El-Nowieemy, “Democracy between Aristophanes and Al-Hakim in Ahmed Etman's Al- Hakim Does not Walk in the Mob,” vol. xi, pp. 77-96.

Pages 1-20

Mohamed Elkilany, “Vision of Ideal State between Plato and Cicero,” pp. 97-136.

Pages 1-39

Walaa Tawfeek, " Democracy in Aristotle's Political Thought," pp. 137-174.

Pages 1-36

Taha Zaki, “ Freedom of Speech in the Enactment of Some Mythololgical Figures in the Flavian amphitheater, a Study in Martial's Liber Spectacuolorum,” pp. 175-220.

Pages 1-46

Hanaa Abdelfattah, “Egypt revolution in the Hope of Reaching a Democratic Expression in Drama and in the Egyptian Theatre,” pp. 221-256.

Pages 1-35

Mahmoud Hamed, “Machiavelli and the political criticism in La Mandragola,”pp. 257-274.

Pages 1-16

Rana Abdel-Samad,“Servants as marginalized Characters in Terence’Theatre”, pp. 273-316.

Pages 1-43

Alaa Saber, “ Olympic Triumph on Earth Powers: Analytic Study in Parados of Ion Play for the Poet Euripides,” pp. 317-345.

Pages 1-29

Greek Drama, History, and the Rise of Democracy

Pages 1-12

Sophocles’ Trachiniai and the Polis

Pages 1-8

Drama and Democracy: The Case of Socrates

Pages 1-8

Euripides’ Ion and the charges of slavery laid against Alcibiades

Pages 1-6

The Need for Active and Involved Citizens

Pages 1-6

The Concept of Terms Related to Democracy in Euripides' Suppliant Women

Pages 1-24

Tragedy and Satyr Play

Pages 1-16

Marginalised Characters in Aristophanes` Ploutos

Pages 1-14

Conflicting Versions of Tragic Socrates—A Victim of Democracy or Anti-Democracy?

Pages 1-32

Slave networks in Menander

Pages 1-19

Ancient Theatre: Edifice and Spectators

Pages 1-8

Sacred Characters and Ritual Drama.The Synchretic Spiritual Background of The Discourse on the Eighth and Ninth,i.e. the Nag Hammadi Codex VI.6 (1st century AD).

Pages 1-14

Theodoros Terzopoulos' Promethiade (2010), or the Revolutionary Power of Contemporary Theatre

Pages 1-16

Intertextual and Intercultural Dynamics between Roman Comedy and Latin Love Elegy

Pages 1-28

Plautus and Ionesco – A Contrastive Perspective

Pages 1-28

Classical Tragedy, the Second Sophistic and Greek Criticism of Tyranny in The Roman Empire: Flavius Philostratus and the Life of Apollonius of Tyana

Pages 1-16

Performing the Story – A Contribution to Roman Guest-Program during Diplomatic Relations

Pages 1-10

Moral and Political Significance of the Term "Virtus" in Plautus' Amphitruo

Pages 1-14

Ahmed Fahmy Abd-elgawad

Consolidation / Resistance to Democracy in Shakespeare’s Coriolanus (1607) and Rashad Rushdy’s O, My Beloved Country(1968)

Pages 1-36

Dēmokratia and Women in Greek Context: The Tragedy of Electra in Greek and Latino Theatre

Pages 1-16

Empreintes Grecques sur le Théâtre Français: Influences et Interactions

Pages 1-26

A Revolutionary Vision Reshaping History in Mahmoud Diyab's Gate to Conquest.

Pages 1-20

A Fragment of Receipt

Pages 1-5

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