A woman's scream between Seneca and Maricla Boggio in "Medea"

Document Type : Original Article

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Faculty of Arts - Ain sham university

Abstract

Women are passionate, regardless of the different ages and environment in which they live, and despite the power of media, passion is the first driver of all their emotions, most important of which is love and revenge, which is presided over by anger, and which explodes a volcanic women's cry that overthrows those around them; The study therefore refers to the internal cry at the heart of the wounded woman, and how she expressed and overcame it to eliminate that suffering, and answers the following questions:
1- What is the extent of the influence of the Roman poet Seneca on modern theater?
2- How much did the character of Medea, as a model of a psychologically oppressed woman, influence the image of modern women?
3- How did Boggio combine consciousness and subconsciousness in the character of Medea?
4- How did Boggio express femininity in the play and the role of this tendency in highlighting women’s moral right in the first place?
5- How similar and different are the characters of Medea according to Seneca and Boggio through dramatic treatment?

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